List of accepted papers

A CONFIDENCE MEASURE FOR KEY LABELLING Roman B. Gebhardt, Michael Stein and Athanasios Lykartsis

A CROWDSOURCED EXPERIMENT FOR TEMPO ESTIMATION OF ELECTRONIC DANCE MUSIC Hendrik Schreiber and Meinard Mueller

A DATA-DRIVEN APPROACH TO MID-LEVEL PERCEPTUAL MUSICAL FEATURE MODELING Anna Aljanaki and Mohammad Soleymani

A FLEXIBLE APPROACH TO AUTOMATED HARMONIC ANALYSIS: MULTIPLE ANNOTATIONS OF CHORALES BY BACH AND PRÆTORIUS Nathaniel Condit-Schultz, Yaolong Ju and Ichiro Fujinaga

A GENERALIZED PARSING FRAMEWORK FOR GENERATIVE MODELS OF HARMONIC SYNTAX Daniel Harasim, Martin Rohrmeier and Timothy J. O'Donnell

A PREDICTIVE MODEL FOR MUSIC BASED ON LEARNED INTERVAL REPRESENTATIONS Stefan Lattner, Maarten Grachten and Gerhard Widmer

A SINGLE-STEP APPROACH TO MUSICAL TEMPO ESTIMATION USING A CONVOLUTIONAL NEURAL NETWORK Hendrik Schreiber and Meinard Mueller

A TIMBRE-BASED APPROACH TO ESTIMATE KEY VELOCITY FROM POLYPHONIC PIANO RECORDINGS Dasaem Jeong, Taegyun Kwon and Juhan Nam

ALIGNED SUB-HIERARCHIES: A STRUCTURE-BASED APPROACH TO THE COVER SONG TASK Katherine M. Kinnaird

AN END-TO-END FRAMEWORK FOR AUDIO-TO-SCORE MUSIC TRANSCRIPTION ON MONOPHONIC EXCERPTS Miguel A. Román, Antonio Pertusa and Jorge Calvo-Zaragoza

AN ENERGY-BASED GENERATIVE SEQUENCE MODEL FOR TESTING SENSORY THEORIES OF WESTERN HARMONY Peter M. C. Harrison and Marcus T. Pearce

ANALYSIS BY CLASSIFICATION: A COMPARATIVE STUDY OF ANNOTATED AND ALGORITHMICALLY EXTRACTED PATTERNS IN SYMBOLIC MUSIC DATA Iris Yuping Ren, Anja Volk, Wouter Swierstra and Remco Veltkamp

ANALYSIS OF COMMON DESIGN CHOICES IN DEEP LEARNING SYSTEMS FOR DOWNBEAT TRACKING Magdalena Fuentes, Brian McFee, Hélène C. Crayencour, Slim Essid and Juan Pablo Bello

AUDIO BASED DISAMBIGUATION OF MUSIC GENRE TAGS Romain Hennequin, Jimena Royo-Letelier and Manuel Moussallam

AUDIO-ALIGNED JAZZ HARMONY DATASET FOR AUTOMATIC CHORD TRANSCRIPTION AND CORPUS-BASED RESEARCH Vsevolod Eremenko, Emir Demirel, Baris Bozkurt and Xavier Serra

AUDIO-TO-SCORE ALIGNMENT USING TRANSPOSITION-INVARIANT FEATURES Andreas Arzt and Stefan Lattner

AUTOMATIC, PERSONALIZED, AND FLEXIBLE PLAYLIST GENERATION USING REINFORCEMENT LEARNING Shun-Yao Shih and Heng-Yu Chi

BRIDGING AUDIO ANALYSIS, PERCEPTION AND SYNTHESIS WITH PERCEPTUALLY-REGULARIZED VARIATIONAL TIMBRE SPACES Philippe Esling, Axel Chemla--Romeu-Santos and Adrien Bitton

CAMERA-PRIMUS: NEURAL END-TO-END OPTICAL MUSIC RECOGNITION ON REALISTIC MONOPHONIC SCORES Jorge Calvo-Zaragoza and David Rizo

COMPARING RNN PARAMETERS FOR MELODIC SIMILARITY Tian Cheng, Satoru Fukayama and Masataka Goto

COMPARISON OF AUDIO FEATURES FOR RECOGNITION OF WESTERN AND ETHNIC INSTRUMENTS IN POLYPHONIC MIXTURES Igor Vatolkin and Günter Rudolph

COMPUTATIONAL CORPUS ANALYSIS: A CASE STUDY ON JAZZ SOLOS Christof Weiss, Stefan Balke, Jakob Abesser and Meinard Mueller

CONCERT STITCH: ORGANIZATION AND SYNCHRONIZATION OF CROWD SOURCED RECORDINGS Vinod Subramanian and Alexander Lerch

CONDITIONING DEEP GENERATIVE RAW AUDIO MODELS FOR STRUCTURED AUTOMATIC MUSIC Rachel Manzelli, Vijay Thakkar, Ali Siahkamari and Brian Kulis

CONTROLLED VOCABULARIES FOR MUSIC METADATA Pasquale Lisena, Konstantin Todorov, Cécile Cecconi, Françoise Leresche, Isabelle Canno, Frédéric Puyrenier, Martine Voisin, Thierry Le Meur and Raphaël Troncy

CONVOLUTIONAL GENERATIVE ADVERSARIAL NETWORKS WITH BINARY NEURONS FOR POLYPHONIC MUSIC GENERATION Hao-Wen Dong and Yi-Hsuan Yang

COVER SONG SYNTHESIS BY ANALOGY Christopher Tralie

DALI: A LARGE DATASET OF SYNCHRONIZED AUDIO, LYRICS AND NOTES, AUTOMATICALLY CREATED USING TEACHER-STUDENT MACHINE LEARNING PARADIGM. Gabriel Meseguer-Brocal, Alice Cohen-Hadria and Geoffroy Peeters

DEEP NEURAL NETWORKS WITH VOICE ENTRY ESTIMATION HEURISTICS FOR VOICE SEPARATION IN SYMBOLIC MUSIC REPRESENTATIONS Reinier de Valk and Tillman Weyde

DEEP WATERSHED DETECTOR FOR MUSIC OBJECT RECOGNITION Lukas Tuggener, Ismail Elezi, Jürgen Schmidhuber and Thilo Stadelmann

DISAMBIGUATING MUSIC ARTISTS AT SCALE WITH AUDIO METRIC LEARNING Jimena Royo-Letelier, Romain Hennequin, Viet-Anh Tran and Manuel Moussallam

DOCUMENT ANALYSIS OF MUSIC SCORE IMAGES WITH SELECTIONAL AUTO-ENCODERS Francisco Castellanos, Jorge Calvo-Zaragoza, Gabriel Vigliensoni and Ichiro Fujinaga

DRIFTIN' DOWN THE SCALE: DYNAMIC TIME WARPING IN THE PRESENCE OF PITCH DRIFT AND TRANSPOSITIONS Simon Waloschek and Aristotelis Hadjakos

EMPIRICALLY WEIGHING THE IMPORTANCE OF DECISION FACTORS FOR SINGING PREFERENCE Michael Barone, Karim Ibrahim, Chitralekha Gupta and Ye Wang

END-TO-END LEARNING FOR MUSIC AUDIO TAGGING AT SCALE Jordi Pons, Oriol Nieto, Matthew Prockup, Erik M. Schmidt, Andreas F. Ehmann and Xavier Serra

EVALUATING A COLLECTION OF SOUND-TRACING DATA OF MELODIC PHRASES Tejaswinee Kelkar, Udit Roy and Alexander Refsum Jensenius

EVALUATING AUTOMATIC POLYPHONIC MUSIC TRANSCRIPTION Andrew McLeod and Mark Steedman

EVALUATING LANGUAGE MODELS OF TONAL HARMONY David Sears, Filip Korzeniowski and Gerhard Widmer

EXPLORING MUSICAL RELATIONS USING ASSOCIATION RULE NETWORKS Renan de Padua, Verônica Oliveira de Carvalho, Solange Rezende and Diego Furtado Silva

FRAME-LEVEL INSTRUMENT RECOGNITION BY TIMBRE AND PITCH Yun-Ning Hung and Yi-Hsuan Yang

FROM LABELED TO UNLABELED DATA – ON THE DATA CHALLENGE IN AUTOMATIC DRUM TRANSCRIPTION Chih-Wei Wu and Alexander Lerch

FUNCTIONAL HARMONY RECOGNITION OF SYMBOLIC MUSIC DATA WITH MULTI-TASK RECURRENT NEURAL NETWORKS Tsung-Ping Chen and Li Su

GENERALIZED SKIPGRAMS FOR PATTERN DISCOVERY IN POLYPHONIC STREAMS Christoph Finkensiep, Markus Neuwirth and Martin Rohrmeier

GENRE-AGNOSTIC KEY CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS Filip Korzeniowski and Gerhard Widmer

GUITARSET: A DATASET FOR GUITAR TRANSCRIPTION Qingyang Xi, Rachel Bittner, Johan Pauwels, Xuzhou Ye and Juan Bello

IDENTIFYING EMOTIONS IN OPERA SINGING: IMPLICATIONS OF ADVERSE ACOUSTIC CONDITIONS Emilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner, Simone Hantke, Giovanni Costantini, Klaus Scherer and Bjoern Schuller

IMPROVED CHORD RECOGNITION BY COMBINING DURATION AND HARMONIC LANGUAGE MODELS Filip Korzeniowski and Gerhard Widmer

IMPROVING BASS SALIENCY ESTIMATION USING TRANSFER LEARNING AND LABEL PROPAGATION Jakob Abeßer, Stefan Balke and Meinard Müller

IMPROVING PEAK-PICKING USING MULTIPLE TIME-STEP LOSS FUNCTIONS Carl Southall, Ryan Stables and Jason Hockman

INFLUENCES ON THE SOCIAL PRACTICES SURROUNDING COMMERCIAL MUSIC SERVICES: A MODEL FOR RICH INTERACTIONS Louis Spinelli, Josephine Lau, Liz Pritchard and Jin Ha Lee

INSTRUDIVE: A MUSIC VISUALIZATION SYSTEM BASED ON AUTOMATICALLY RECOGNIZED INSTRUMENTATION Takumi Takahashi, Satoru Fukayama and Masataka Goto

INSTRUMENT ACTIVITY DETECTION IN POLYPHONIC MUSIC USING DEEP NEURAL NETWORKS Siddharth Gururani, Cameron Summers and Alexander Lerch

INTERACTIVE ARRANGEMENT OF CHORDS AND MELODIES BASED ON A TREE-STRUCTURED GENERATIVE MODEL Hiroaki Tsushima, Eita Nakamura, Katsutoshi Itoyama and Kazuyoshi Yoshii

INVESTIGATING CROSS-COUNTRY RELATIONSHIP BETWEEN USERS' SOCIAL TIES AND MUSIC MAINSTREAMINESS Christine Bauer and Markus Schedl

JAZZ SOLO INSTRUMENT CLASSIFICATION WITH CONVOLUTIONAL NEURAL NETWORKS, SOURCE SEPARATION, AND TRANSFER LEARNING Juan S. Gómez, Jakob Abeßer and Estefanía Cano

JSYMBOLIC 2.2: EXTRACTING FEATURES FROM SYMBOLIC MUSIC FOR USE IN MUSICOLOGICAL AND MIR RESEARCH Cory McKay, Julie Cumming and Ichiro Fujinaga

LEARNING DOMAIN-ADAPTIVE LATENT REPRESENTATIONS OF MUSIC SIGNALS USING VARIATIONAL AUTOENCODERS Yin-Jyun Luo and Li Su

LEARNING INTERVAL REPRESENTATIONS FROM POLYPHONIC MUSIC SEQUENCES Stefan Lattner, Maarten Grachten and Gerhard Widmer

LEARNING TO LISTEN, READ, AND FOLLOW: SCORE FOLLOWING AS A REINFORCEMENT LEARNING GAME Matthias Dorfer, Florian Henkel and Gerhard Widmer

LISTENER ANONYMIZER: CAMOUFLAGING PLAY LOGS TO PRESERVE USER'S DEMOGRAPHIC ANONYMITY Kosetsu Tsukuda, Satoru Fukayama and Masataka Goto

MAIN MELODY ESTIMATION WITH SOURCE-FILTER NMF AND CRNN Dogac Basaran, Slim Essid and Geoffroy Peeters

MATRIX CO-FACTORIZATION FOR COLD-START RECOMMENDATION Olivier Gouvert, Thomas Oberlin and Cédric Févotte

METER DETECTION AND ALIGNMENT OF MIDI PERFORMANCE Andrew McLeod and Mark Steedman

METHODOLOGIES FOR CREATING SYMBOLIC CORPORA OF WESTERN MUSIC BEFORE 1600 Julie Cumming, Cory McKay, Jonathan Stuchbery and Ichiro Fujinaga

MIDI-VAE: MODELING DYNAMICS AND INSTRUMENTATION OF MUSIC WITH APPLICATIONS TO STYLE TRANSFER Gino Brunner, Andres Konrad, Yuyi Wang and Roger Wattenhofer

MUSIC GENERATION AND TRANSFORMATION WITH MOMENT MATCHING-SCATTERING INVERSE NETWORKS Mathieu Andreux and Stéphane Mallat

MUSIC MOOD DETECTION BASED ON AUDIO AND LYRICS WITH DEEP NEURAL NET Rémi Delbouys, Romain Hennequin, Francesco Piccoli, Jimena Royo-Letelier and Manuel Moussallam

MUSIC SOURCE SEPARATION USING STACKED HOURGLASS NETWORKS Sungheon Park, Taehoon Kim, Kyogu Lee and Nojun Kwak

MUSICAL TEXTURE AND EXPRESSIVITY FEATURES FOR MUSIC EMOTION RECOGNITION Renato Panda, Ricardo Malheiro and Rui Pedro Paiva

MUSICAL-LINGUISTIC ANNOTATIONS OF IL LAURO SECCO Emilia Parada-Cabaleiro, Maximilian Schmitt, Anton Batliner and Bjoern Schuller

ON THE IMPACT OF MUSIC ON DECISION MAKING IN COOPERATIVE TASKS Elad Liebman, Corey N. White and Peter Stone

ON THE RELATIONSHIPS BETWEEN MUSIC-INDUCED EMOTION AND PHYSIOLOGICAL SIGNALS Xiao Hu, Fanjie Li and Jeremy T. D. Ng

ONSETS AND FRAMES: DUAL-OBJECTIVE PIANO TRANSCRIPTION Curtis Hawthorne, Erich Elsen, Jialin Song, Adam Roberts, Ian Simon, Colin Raffel, Jesse Engel, Sageev Oore and Douglas Eck

OPENMIC-2018: AN OPEN DATA-SET FOR MULTIPLE INSTRUMENT RECOGNITION Eric Humphrey, Simon Durand and Brian McFee

OPTICAL MUSIC RECOGNITION IN MENSURAL NOTATION WITH REGION-BASED CONVOLUTIONAL NEURAL NETWORKS Alexander Pacha and Jorge Calvo-Zaragoza

PART-INVARIANT MODEL FOR MUSIC GENERATION AND HARMONIZATION Yujia Yan, Ethan Lustig, Joseph VanderStel and Zhiyao Duan

PLAYER VS TRANSCRIBER: A GAME APPROACH TO DATA MANIPULATION FOR AUTOMATIC DRUM TRANSCRIPTION Carl Southall, Ryan Stables and Jason Hockman

PRECISION OF SUNG NOTES IN CARNATIC MUSIC Venkata Viraraghavan, Rangarajan Aravind and Hema Murthy

RELEVANCE OF MUSICAL FEATURES FOR CADENCE DETECTION Louis Bigo, Laurent Feisthauer, Mathieu Giraud and Florence Levé

REPRESENTATION LEARNING OF MUSIC USING ARTIST LABELS Jiyoung Park, Jongpil Lee, Jangyeon Park, Jung-Woo Ha and Juhan Nam

REVISITING SINGING VOICE DETECTION: A QUANTITATIVE REVIEW AND THE FUTURE OUTLOOK Kyungyun Lee, Keunwoo Choi and Juhan Nam

SE AND S\(_{\TEXTRM{N}}\)L DIAGRAMS: FLEXIBLE DATA STRUCTURES FOR MIR Melissa R. McGuirl, Katherine M. Kinnaird, Claire Savard and Erin H. Bugbee

SEARCHING PAGE-IMAGES OF EARLY MUSIC SCANNED WITH OMR: A SCALABLE SOLUTION USING MINIMAL ABSENT WORDS Tim Crawford, Golnaz Badkobeh and David Lewis

SEMI-SUPERVISED LYRICS AND SOLO-SINGING ALIGNMENT Chitralekha Gupta, Rong Tong, Haizhou Li and Ye Wang

SHARED GENERATIVE REPRESENTATION OF AUDITORY CONCEPTS AND EEG TO RECONSTRUCT PERCEIVED AND IMAGINED MUSIC André Ofner and Sebastian Stober

SKELETON PLAYS PIANO: ONLINE GENERATION OF PIANIST BODY MOVEMENTS FROM MIDI PERFORMANCE Bochen Li, Akira Maezawa and Zhiyao Duan

STRUCTURENET: INDUCING STRUCTURE IN GENERATED MELODIES Gabriele Medeot, Srikanth Cherla, Katerina Kosta, Matt McVicar, Samer Abdallah, Marco Selvi, Ed Newton-Rex and Kevin Webster

SUMMARIZING AND COMPARING MUSIC DATA AND ITS APPLICATION ON COVER SONG IDENTIFICATION Diego Furtado Silva, Felipe Falcão and Nazareno Andrade

THE MANY FACES OF USERS: MODELING MUSICAL PREFERENCE Eva Zangerle and Martin Pichl

THE NES MUSIC DATABASE: A MULTI-INSTRUMENTAL DATASET WITH EXPRESSIVE PERFORMANCE ATTRIBUTES Chris Donahue, Huanru Henry Mao and Julian McAuley

THE NORTHWESTERN UNIVERSITY SOURCE SEPARATION LIBRARY Ethan Manilow, Prem Seetharaman and Bryan Pardo

TIMBRE DISCRIMINATION FOR BRIEF INSTRUMENT SOUNDS Francesco Bigoni and Sofia Dahl

TOWARDS FULL-PIPELINE HANDWRITTEN OMR WITH MUSICAL SYMBOL DETECTION BY U-NETS Jan Hajič jr., Matthias Dorfer, Gerhard Widmer and Pavel Pecina

TRANSFERRING THE STYLE OF HOMOPHONIC MUSIC USING RECURRENT NEURAL NETWORKS AND AUTOREGRESSIVE MODEL Wei Tsung Lu and Li Su

TWO WEB APPLICATIONS FOR EXPLORING MELODIC PATTERNS IN JAZZ SOLOS Klaus Frieler, Frank Höger, Martin Pfleiderer and Simon Dixon

UNDERSTANDING A DEEP MACHINE LISTENING MODEL THROUGH FEATURE INVERSION Saumitra Mishra, Bob L. Sturm and Simon Dixon

USING MUSICAL RELATIONSHIPS BETWEEN CHORD LABELS IN AUTOMATIC CHORD EXTRACTION TASKS Tristan Carsault, Jerome Nika and Philippe Esling

VENUERANK: IDENTIFYING VENUES THAT CONTRIBUTE TO ARTIST POPULARITY Emmanouil Krasanakis, Emmanouil Schinas, Symeon Papadopoulos, Yiannis Kompatsiaris and Pericles Mitkas

VISUALIZATION OF AUDIO DATA USING STACKED GRAPHS Mathieu Lagrange, Mathias Rossignol and Grégoire Lafay

VOCAL MELODY EXTRACTION WITH SEMANTIC SEGMENTATION AND AUDIO-SYMBOLIC DOMAIN TRANSFER LEARNING Wei Tsung Lu and Li Su

VOCALS IN MUSIC MATTER: THE RELEVANCE OF VOCALS IN THE MINDS OF LISTENERS Andrew Demetriou, Andreas Jansson, Aparna Kumar and Rachel Bittner

VOCALSET: A SINGING VOICE DATASET Julia Wilkins, Prem Seetharaman, Alison Wahl and Bryan Pardo

WAVE-U-NET: A MULTI-SCALE NEURAL NETWORK FOR END-TO-END AUDIO SOURCE SEPARATION Daniel Stoller, Sebastian Ewert and Simon Dixon

ZERO-MEAN CONVOLUTIONS FOR LEVEL-INVARIANT SINGING VOICE DETECTION Jan Schlüter and Bernhard Lehner


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